Bond's code number comes from one of British naval intelligence's key achievements of World War I: Subsequently, if material was graded 00 it meant it was highly classified. Fleming later told a journalist: Although James Bond is in his mid-to-late thirties, he does not age in Fleming's stories. Fleming decided to underplay Bond's character, observing: Sean Connery was the first actor to portray Bond on film in Dr.
No An amateur bodybuilder, he had come to the attention of the Bond film producers after several appearances in British films from the late s. Broccoli —known to all as Cubby—disagreed with Fleming's view, later commenting that "I wanted a ballsy guy In the words of Bond writer Raymond Benson , Young educated the actor "in the ways of being dapper, witty, and above all, cool". Connery's interpretation of the character differed considerably from Fleming's, being more promiscuous and cold blooded than the literary version.
I particularly like him because he thrives on conflict". No , Connery's interpretation of the character, although not complete, showed the actor "should be credited with having established a new style of performance: He created Bond. He embodied Bond and because of Sean, Bond became an instantly recognisable character the world over—he was rough, tough, mean and witty Interviewed by Oriana Fallaci in , Connery identified where he had altered the character for the films, saying "I said to the producers that the character had one defect, there was no humor about him; to get him accepted, they'd have to let me play him tongue-in-cheek, so people could laugh.
They agreed, and there you are: And even while they're laughing at him, people take him terribly seriously". And then one can't help liking him". Also I had become completely identified with it, and it became very wearing and very boring". In the early s producer Jack Schwartzman moved ahead with a non-Eon Bond film, following the controversy over the novel Thunderball  and the subsequent long legal battle ;  the result was Never Say Never Again.
When Sean Connery had been cast in November ,  David Niven had been Fleming's choice for the role as the actor reflected his image of the character. Connery and Peter Sellers had both turned down the role. Chapman considered the concept of an elderly Bond to be an interesting one, with Bond referring to Connery's Bond as a "sexual acrobat who leaves a trail of beautiful dead women behind like blown roses".
Hunt chose Australian George Lazenby to play the role of Bond. He first came to their attention after seeing him in a Fry's Chocolate Cream advertisement. Critical opinion was split about Lazenby; he has been considered to have been the worst Bond,  and has variously been described as "laconic and humourless",  "a little stiff"  and "annoying and smug".
Hunt , director of On Her Majesty's Secret Service , stated that Lazenby should have undertaken more films in the role, saying "he would have made a very credible Bond and been very good indeed". Smith and Lavington consider that Lazenby "had chosen to play Bond the same way as Sean Connery had, with perhaps more humility and humanity";  they went on to say that "Lazenby's inexperience rarely shows" in the film, and that "he invariably rises to the occasion".
Lazenby's voice is more suave than sexy-sinister and he could pass for the other fellow's twin on the shady side of the casino. Bond is now definitely all set for the Seventies". James Chapman considers that Lazenby looks the part of Bond, identifying his athleticism and "arrogant swagger", which "convey the snobbery of the character". Lazenby is that man, and his performance is superb".
Film writer Andrew Spicer considered Roger Moore to be the most elegant and mannerly of the Bonds, with the voice and style of an English debonair country gentleman. Spicer says "Roger Moore re-created Bond as an old-style debonair hero, more polished and sophisticated than Connery's incarnation, using the mocking insouciance he had perfected in his role as Simon Templar Moore's humour was a throwaway, and certainly in the later films, verged on self-parody.
It was an essential strand in the increasingly tongue-in-cheek direction of the series which became more light-hearted, knowing and playfully intertextual". I mean, this man is supposed to be a spy, and yet everybody knows he's a spy So you have to treat the humour outrageously as well". Reviewing Moonraker , she wrote "Roger Moore is dutiful and passive as Bond; his clothes are neatly pressed and he shows up for work, like an office manager who is turning into dead wood but hanging on to collect his pension".
A number of Moore's personal preferences were transferred into his characterisation of Bond: In Moore appeared in his seventh and final film, A View to a Kill ; he was 57 he appeared alongside co-star Tanya Roberts , who was He's not believable anymore in the action sequences, even less so in the romantic scenes". With the retirement of Roger Moore in , a search for a new actor to play Bond took place that saw a number of actors, including Sam Neill ,  Pierce Brosnan  and Timothy Dalton , audition for the role in Bond co-producer Michael G.
Broccoli was not sold on the actor. Dalton's Bond was a serious one: Not all viewers were taken with Dalton. Jay Scott of The Globe and Mail was entirely dismissive. Timothy Dalton's Bond is a serious bloke who swallows his words and approaches his job with responsibility and humanity, and eschews promiscuity — Dirtless Harry.
You get the feeling that on his off nights, he might curl up with the Reader's Digest and catch an episode of Moonlighting — he'd try to memorize the jokes — before nodding off under the influence of Ovaltine. The British reviews of The Living Daylights have been laudatory, perhaps because this Bond is the most British of all, if British is to be understood as a synonym for reserved".
Raymond Benson noted that Dalton "purposely played Bond as a ruthless and serious man with very little of the wit displayed by Connery, Lazenby or Moore",  and considered him to be "the most accurate and literal interpretation of the role Commentators such as Screen International considered the Bond series had run its course in the age of series such as Indiana Jones and Lethal Weapon.
Comentale observed that "Dalton, for all his occasional flat northern vowels, was probably too much the stage actor to be convincing as an action hero in the age of Willis , Schwarzenegger and Stallone ". His six-year contract expired in and he left the series in Pierce Brosnan. His lithe, sinuous athleticism is well suited to the fast-paced action and state-of-the-art gadgetry that retains the series' core appeal".
With Brosnan, the Bond writers knew that because of the changes in public attitudes, he could not be as overtly sexual and dominant over women as Connery's Bond, and was denounced by M in GoldenEye to be a "sexist, misogynist dinosaur, a relic of the Cold War". John G.
Stackhouse for instance argues that it is preposterous that any man as strikingly handsome as Brosnan and Connery could be a secret agent, saying, "When Sean Connery or Pierce Brosnan enters a room, everyone notices. Thus it is ridiculous to suppose that James Bond, looking like that, could be a secret agent for longer than about two seconds". Brosnan's Bond was introduced in GoldenEye ; James Chapman argues that the film works his portrayal of Bond into the history of the others in the series through the post-credits sequence use of the Aston Martin DB5 , previously seen in Goldfinger and Thunderball , "thus immediately evoking the memory of [Sean] Connery".
I think smoking causes cancer therefore he doesn't smoke",  although he did smoke a Cuban cigar in Die Another Day. After four films in the role, Brosnan stated he wished to do one final Bond film. Although plans were made for a film to be released in , negotiations stalled and Brosnan announced his intention to leave in July I'm a big Bond fan, and I love what he represents".
Throughout the entire production period, Internet campaigns such as danielcraigisnotbond. Craig first played Bond in the film Casino Royale , an adaptation of Fleming's novel of the same name and a reboot of the Eon series,  which saw Bond earn his 00 status. Todd McCarthy , reviewing the film for Variety , considered that "Craig comes closer to the author's original conception of this exceptionally long-lived male fantasy figure than anyone since early Sean Connery",  and he went on to say that "Craig once and for all claims the character as his own",  while Steven Spielberg called Craig "the perfect 21st-century Bond".
He's a great Bond. Specifically, he is as conceived by Ian Fleming—a professional killing machine, a charming, cold-hearted patriot with a taste for luxury. Craig is the first actor to really nail 's defining characteristic: Reviewing the film, Philip French , writing in The Observer , considered that Craig managed to "get out of the shadow of Connery",  while the New Statesman thought that he had "relaxed into Bond without losing any steeliness". From Wikipedia, the free encyclopedia.
Redirected from James Bond filmography. This article is about the history of the James Bond character as portrayed in the film series. For the character as portrayed in literature, see James Bond literary character. The gun barrel sequence from the Eon Productions film Dr.
See also: James Bond literary character. Timeline of Eon-produced James Bond films. Correspondence dating back to shows that Fleming contacted a Scottish nobleman to help research Bond's family history, in particular seeking a Scottish Bond line. Since John Gavin, who had been signed to play Bond, was no longer required, Broccoli insisted that he be paid in full.
The second was to be an adaptation of Macbeth by William Shakespeare using only Scottish actors and in which Connery himself would play the title role. This project was abandoned because another production of Macbeth the Roman Polanski version was already in production. The New York Times. Retrieved 13 September Fleming on his hero".
The Manchester Guardian. Talk of the Town. New York: The New Yorker. Retrieved 12 September British Film Institute. Retrieved 20 November Audio commentary DVD. MGM Home Entertainment. In Yeffeth MI6 Confidential Automobile Quarterly. Retrieved 28 September American Chamber of Commerce United Kingdom.
Retrieved January 27, Archived from the original PDF on 31 March Retrieved 2 October Federal Reserve Bank of Minneapolis. Retrieved 2 January The Times. AFI's Years American Film Institute. Retrieved 20 December Andere Tijden. Nederland 2. Golden Globe Awards. Hollywood Foreign Press Association. Archived from the original on 14 April Retrieved 19 October The Australian.
Surrey Hills, NSW. The Guardian. New James Bond". New York. Evening Standard. On her Majesty's Secret Service". The Village Voice. The Washington Post. Washington, DC. Top News. Retrieved 5 November Wilson The Sunday Times. Dalton serves up lethargic James Bond. A licence to bore? The Globe and Mail. The Problem Eliminator".
The James Bond Dossier. University Press of Kentucky Daily Mail. James Bond Radio Podcast Retrieved 4 December Los Angeles. James Bland". Daily Mirror. The Daily Telegraph. BBC Online. Retrieved 4 November The Observer. New Statesman. Daniel Craig salary, film budget and James Bond theme tune sales". International Business Times. Retrieved 2 December Ash, Russell Top 10 of Everything Balio, Tino United Artists: Univ of Wisconsin Press. Barnes, Alan; Hearn, Marcus Kiss Kiss Bang!
Batsford Books. Bouzereau, Laurent The Art of Bond: From storyboard to screen: Benson, Raymond The James Bond Bedside Companion. Boxtree Ltd. Bishop, Des When Jason Bourne is framed for a CIA operation gone awry, he is forced to resume his former life as a trained assassin to survive.
James Bond heads to stop a media mogul's plan to induce war between China and the UK in order to obtain exclusive global media coverage. James Bond goes rogue and sets off to unleash vengeance on a drug lord who tortured his best friend, a C. Agent, and left him for dead and murdered his bride after he helped capture him. While investigating a gold magnate's smuggling, James Bond uncovers a plot to contaminate the Fort Knox gold reserve.
James Bond goes on his first ever mission as a Le Chiffre is a banker to the world's terrorists. He is participating in a poker game at Montenegro, where he must win back his money, in order to stay safe among the terrorist market. Bond, using help from Felix Leiter, Mathis and having Vesper pose as his partner, enters the most important poker game in his already dangerous career.
Written by simon. Having just achieved his 00 status, James Bond is assigned to uncover a plot by tracking a bomber for hire. Removed from the mission by M, Bond nevertheless follows the only lead he has to Miami where he finds himself working round the edges of a plot by criminal Le Chiffre to invest his clients money in the stock market just before an engineered event should send shares in a direction favourable for him.
After the poor CGI and overblown if fun affair that was Die Another Day, the series was at risk of just throwing more and more money at the screen in an attempt to exaggerate and increase the Bond formula to keep fans happy. And, in fairness it seems financially to be working for them but this is not to say that the drastically scaled back feel of Casino Royale is not a welcome change of direction for the series, because for me it most certainly was.
Opening with a gritty, short and violent pre-credit sequence, the film moves through a cool title sequence with a typically Bondian if only so-so theme song. Casting free-runner Foucan was a great move and this sequence was the high for me. After this the film develops nicely with a solid plot that engaged me easily enough, with interesting characters along the way.
Of course this isn't to say that the series has suddenly put out an introspective character piece, because the world of Bond is all still here. So we have superhuman stunts, gadgets albeit a practical self-defibrillator as opposed to a mini-helicopter and the usual types of characters going the way we expect. With all the fanboys tired from bemoaning Craig, it is nice to actually see for ourselves what he can do and mostly he is very good.
He convinces as a heartless killer and has the presence that suggests that he could do ruthless damage if he had to. I was a bit put off by how regularly he pouts but generally he brings a gravitas to the character that it benefits from. Green is a pretty good Bond girl and brings much, much more to the role than Berry did in the last film. Mikkelsen is a good foil for Bond and is given more interest by his lack of stature he is essentially facing his last role of the dice in several ways.
Dench is as solid as ever while Wright makes a shrewd move in a small character that offers more of the same for a few years to come. Overall then this is not the brilliant, flawless film that many have claimed, but I completely understand why it has been greeted with such praise. Sat beside Die Another Day, it is a wonderfully dark and brooding Bond with great action replacing some of the CGI and gadget excesses of recent times.
A refreshing film with the bond formula in place but with a dark and comparatively restrained tone that makes it realistic enough to get into while still existing in the spy fantasy world. Start your free trial. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet! IMDb More.
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External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Armed with a license to kill, Secret Agent James Bond sets out on his first mission as , and must defeat a private banker to terrorists in a high stakes game of poker at Casino Royale, Montenegro, but things are not what they seem.
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